'A Burnt Lizard Landscape'
Poem ‘A Burnt Lizard Landscape’
— by Hannah Nowlan
Oil on French Cotton Rag Paper with hand-torn edges
Hand-Painted Embers, Letterpress Printed by Hungry Workshop
Limited Edition of 50
Order this artwork Unframed or Raw Framed in Tasmanian Blackwood with our signature joinery
330 x 400 x 56mm (framed)
An earthy burnt orange colour palette.
This artwork is available to view from our studio. Contact us to enquire about or view this artwork.
Poem ‘A Burnt Lizard Landscape’
— by Hannah Nowlan
Oil on French Cotton Rag Paper with hand-torn edges
Hand-Painted Embers, Letterpress Printed by Hungry Workshop
Limited Edition of 50
Order this artwork Unframed or Raw Framed in Tasmanian Blackwood with our signature joinery
330 x 400 x 56mm (framed)
An earthy burnt orange colour palette.
This artwork is available to view from our studio. Contact us to enquire about or view this artwork.
Poem ‘A Burnt Lizard Landscape’
— by Hannah Nowlan
Oil on French Cotton Rag Paper with hand-torn edges
Hand-Painted Embers, Letterpress Printed by Hungry Workshop
Limited Edition of 50
Order this artwork Unframed or Raw Framed in Tasmanian Blackwood with our signature joinery
330 x 400 x 56mm (framed)
An earthy burnt orange colour palette.
This artwork is available to view from our studio. Contact us to enquire about or view this artwork.
Written in the wake of the 2019-20 Australian bushfires, this artwork poem mimics the unpredictability of embers and our harsh Australian landscape.
Unlike ordinary editions, each artwork poem has hand-painted embers with a letterpress printed poem.
Given the original hand-painted nature of this poem’s embers, your artwork will vary from the ones pictured here. That's the beauty of it. Our artworks are delivered in sustainable packaging with a traced, insured and express service. Learn more
Artworks can be ordered Unframed (152 x 190mm) or Raw Framed (330 x 400 x 45mm). If you prefer traditional framing, we recommend ordering an unframed artwork and contacting your local fine-art framer.
Raw Framing: Framed in Tasmanian Blackwood with our signature corner joinery, our hand-painted editions are float mounted with archival materials without glass/perspex.
We believe original artworks look better framed without glass/perspex reflections and glare interrupting the artwork's subtle viewing qualities, colours and layering. Please follow our care tips to ensure the longevity of your artwork for years to come.
